The renowned choreographer returns to the Baxter not as performer but architect, with Genesis, a daring meditation on beginnings, endings and Black consciousness
Moya is her quiet insistence that excellence, faith and African high art can hold grief without spectacle
Set in 3025, Cape Town Opera’s Aida reinvents itself for a new generation but the voices and the music remain timeless
The dancer talks about his career and inspiration as he hangs up his shoes — again
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